On March 14, 2024, the CLAS Community convened for the inaugural session of the Global Humanities Seminar organized by CLAS Adjunct Professor and Fellow in the Humanities Anna Deeny Morales. Approximately 35 attendees were captivated by the presentation titled “Son Jarocho, Sounds of Dissent, and Global Activism,” delivered by Professor Anita Gonzalez (Co-Founder of Georgetown’s Racial Justice Institute) and Associate Professor B. Christine Arce (Director of the American Studies Program, University of Miami).
Professors Gonzalez and Arce explored the profound impact of Mexican folk music, particularly Son Jarocho, as a conduit for dissent, communal recognition, and global activism. Arce’s comments delved into the historical roots and enduring influence of Mexican music despite borders, emphasizing its role in empowering marginalized communities. Gonzalez highlighted the intersectionality of Jarocho music with Black music traditions, shedding light on its significance in transnational cultural exchanges. The ensuing discussions sparked reflections on Mexican identity, political dissent, and the role of music in social justice movements. The event left attendees with a deeper appreciation for the transformative power of music in fostering solidarity and cultural revival.
